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A lighter style of slab serif with a single width of strokes was called 'engravers face' since it resembled the monoline structure of metal engravings. The term 'slab-serif' itself is relatively recent, possibly twentieth-century.
Class: Old style : Century Schoolbook Designer: Morris Fuller Benton Class: Modern : Chaparral Designer: Carol Twombly Class: Slab serif Sub-class: Humanist: Bitstream Charter Designer: Matthew Carter Class: Transitional, Slab serif : Cheltenham Designer: Bertram Goodhue & Ingalls Kimball Class: Old style : City Designer: Georg Trump Class ...
The classification began in the mid-nineteenth century concurrent with the Industrial Revolution. It is characterized by serifs that are similar in weight to the character stroke, in contrast to other serif faces where the serif is a minor finishing flourish.
1.1 Slab serif. 2 Sans-serif. 3 Semi-serif. 4 Monospace. 5 Script. ... but the Nastaliq style is unusual for modern documents in languages other than Urdu. Wilson Greek;
Many early slab-serif types, being intended for posters, only come in bold styles with the key differentiation being width, and often have no lower-case letters at all. Examples of slab-serif typefaces include Clarendon, Rockwell, Archer, Courier, Excelsior, TheSerif, and Zilla Slab. FF Meta Serif and Guardian Egyptian are examples of newspaper
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. [ 1 ] [ 2 ] The project was supervised by Monotype's engineering manager Frank Hinman Pierpont . This typeface is distinguished by a serif at the apex of the uppercase A , while the lowercase a has two storeys.
Slab (Rockwell) Pages in this category should be moved to subcategories where applicable. ... Old style serif typefaces (1 C, 52 P) S. Slab serif typefaces (1 C, 26 P) T.
Some styles drawn by Christian Schwartz and others by Richard Lipton. [10] [19] Poynter Old Style (1997–2000) - inspired by the high-contrast, slightly condensed old-style serifs of the Low Countries, in particular those designed by Hendrik van den Keere. [10] Text and display optical sizes. Some display styles drawn by Cyrus Highsmith. [20]