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Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
1953 Fender Champ in tweed covering. The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. [1] An updated version was introduced in 2006 as part of the "Vintage Modified" line. The Champ had the lowest power output and the simplest circuit of all Fender tube amps.
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb.
1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
The original Deluxe Reverb (circuits AA763, and later AB763) was introduced during the "black panel" era of Fender amplifiers with a black control panel and white lettering. [1] In 1967, two years after Fender was purchased by CBS, Fender began issuing amps with a silver metallic control face and light blue lettering. This gave birth to the ...
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The amplifier's circuit was changed in 1955 (until then it was identical to the Fender Pro, except for the speaker configuration) when the 6L6 tubes were exchanged for 6V6 tubes; the 1958 5F4 model was again equipped with 6L6 tubes, so its circuitry was again almost identical to that of the Pro (5E5-A model) and the Bandmaster (5E7 model).