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The Banshee (1925) is a piano composition by American composer Henry Cowell (1897–1965). It was the first piano piece ever written to be performed entirely free of the keyboard, using only manual manipulation of the strings within the instrument to produce sound via the flesh and nails of the finger .
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, Peepshow. Melody Maker described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". [2] "
He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Born in Blairgowrie , Perthshire [ 1 ] on the first Armistice Day 11 November 1919, to a single mother, Janet Henderson, a Queen's Nurse who had served in France, and was then working in the war hospital ...
A banshee could sing when a family member died or was about to die, even if the person had died far away and news of their death had not yet come. In those cases, her wailing would be the first warning the household had of the death. [19] [20] Keening women have been described as "the (human) structural adjunct of the banshee". [6]
A banshee (/ ˈ b æ n ʃ iː / BAN-shee; Modern Irish bean sí, from Old Irish: ben síde [bʲen ˈʃiːðʲe], "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, [1] usually by screaming, wailing, shrieking, or keening.
The poem, originally titled A Visit or A Visit From St. Nicholas, was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called The Sentinel.
"Evidently Chickentown" is a poem by the English performance poet John Cooper Clarke. The poem uses repeated profanity to convey a sense of futility and exasperation. [ 1 ] Featured on Clarke's 1980 album Snap, Crackle & Bop , the realism of its lyrics is married with haunting, edgy arrangements .
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