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The colors and impedances are: gold- 2 ohms, green- 2.7 ohms, red- 4 ohms, purple- 8 ohms, and blue- 16 ohms. The Hot Plate has a Line Out jack, which can be used to send a DI signal to the mixer, or to insert equalization, time effects, and possibly a solid-state amplifier between the distorting tube power amp and the guitar speaker. The Line ...
Marshall quickly reverted to the older Celestions. [2] Still, some users prefer the pre-JCM800 amplifiers, claiming that those have a warmer, less "brittle" sound. [3] The amplifier was equipped with EL34 valves (tubes) for amps sold in the UK, Europe, and Canada. 6550 tubes for amps exported to the United States from approximately 1973 to 1985 ...
Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...
In 2014 Marshall reissued a "handwired" 30 W amplifier based on the JTM45, the 2245THW, whose circuitry is identical to the 1962 combo circuit; it is a "fine high-end piece" according to Vintage Guitar, listed at $4,800. [9]
The 2×12 combo features 60 watts of RMS output power into 16 or 8ohms. It also features five 12AX7 preamps tubes and two 6L6GC power amp tubes. This combo also comes with a built in spring reverb unit that the head model does not have, controllable via the footswitch and indicated by a green LED when active. (Pg 3, button #9 in the manual) [13]
The Marshall Bluesbreaker is the popular name given to the Models 1961 and 1962 guitar amplifiers made by Marshall from 1964/65 to 1972.. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s."