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The calligraphy relates one of Bashō's most famous haiku poems: Furu ike ya / kawazu tobikomu / mizu no oto (An old pond / a frog jumps in / the sound of water). Haiga (俳画, haikai drawing) is a style of Japanese painting that incorporates the aesthetics of haikai.
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji.
Round sans style typeface. East Asian Gothic typeface, known as heiti ('black form') in Chinese, are sans-serif typefaces used with East Asian scripts. They can be further divided into two main types: round sans fonts have rounded ends, while square sans fonts have square ends. [9]
This is the style of typeface used for Japanese road signs. Overlapping round sans ( simplified Chinese : 叠圆体 ; traditional Chinese : 疊圓體 ; pinyin : diéyuántǐ ; Jyutping : dip6 jyun4 tai2 ) - This is similar to the round sans, but in places where strokes overlap, a margin is inserted between the strokes to distinguish the strokes.
Distributed with the Japanese version of Windows 3.1 or later, some versions of Internet Explorer 3 Japanese Font Pack, all regions in Windows XP, Microsoft Office v.X to 2004. MS PMincho MS P明朝: Microsoft Distributed in the Japanese version of Windows 95 or later, all regions in Windows XP, Microsoft Office 2004. Kochi Mincho: 東風明朝
Cursive script (Chinese: 草書, 草书, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [1]
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.