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The Festival de Bomba y Plena de San Antón (English: San Anton's Bomba and Plena Festival), is an annual celebration held in Ponce, Puerto Rico, as an extravaganza celebration of Bomba and Plena music genres and the traditions of Ponce's barrio San Antón. The celebration lasts 10 days and it ends on a Sunday.
Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
Cepeda was born in 1945 in Cataño, Puerto Rico, into a family deeply embedded in the cultural world of bomba y plena. Her grandparents, Doña Caridad Brenes Caballero and Rafael Cepeda Atiles, were renowned bomba practitioners, known as "Los Patriarcas de la Bomba y la Plena." Raised by her grandparents from the age of three months, Cepeda was ...
In 1977, Modesto Cepeda, son of Rafael, founded the Rafael Cepeda Atiles School of Bomba and Plena which is located at Calle Union #71, sector Playita de Villa Palmeras in Santurce, San Juan, Puerto Rico. [6] The school teaches the youth of Puerto Rico the fundamentals of the traditional dances. Cepeda's wife Caridad died on February 25, 1994.
The plena genre originated in Barrio San Antón, Ponce, Puerto Rico, [3] [4] around 1900. [5] It was influenced by the bomba style of music. [citation needed] Originally, sung texts were not associated with the plena, which was rendered by guitar, accordion and pandero, but eventually, in 1907, [citation needed] singing was added.
Produced by fellow producers La Paciencia and Tainy, "Una Velita" is a folk and plena song. [ 1 ] [ 2 ] Lyrically, he sings about lighting a candle during Hurricane Maria (2017), and how the infrastructure of Puerto Rico has not improved since the disaster.
There has also been a strong commitment towards Bomba Fusion. Groups such as Los Pleneros de la 21, and Viento De Agua have contributed greatly towards fusing Bomba and Plena with Jazz and other Genres. Yerbabuena has brought a popular cross-over appeal. Abrante y La Tribu have made fusions with Hip Hop.
El Niño, el Hombre, el Soñador, el Loco (The Boy, the Man, the Dreamer, the Crazy One) is a studio album by Lalo Rodríguez released in 1985. [1] This album is different from his previous two albums in that it focuses on Puerto Rico's folkloric music styles, including plena and bomba.