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The end of the 19th century saw a profound shift in North American Architecture. Architects educated at the École des Beaux-Arts in Paris, such as Richard Morris Hunt and Charles Follen McKim were responsible for bringing the beaux-arts approach back from Europe, which was said to be the cornerstone of eclectic architecture in North America. [3]
In post-Gothic styles, Spanish cathedrals departed from the usual Latin-cross shape and developed more open designs. A handful of Spanish cathedrals contain details of modern architecture: the Almudena Cathedral in Madrid was not finished until 1993 and is an eclectic mixture of different reinterpretations of historical styles. [5]
The Spanish colonial style of architecture dominated in the early Spanish colonies of North and South America, and were also somewhat visible in its other colonies. It is sometimes marked by the contrast between the simple, solid construction demanded by the new environment and the Baroque ornamentation exported from Spain.
House of the Dragons (Spanish: Casa de los Dragones) is a landmark in the Spanish exclave of Ceuta on the north coast of Africa, and an example of eclectic architecture. [1] [2] The house is on a corner of Kings Square.
Spanish Colonial Revival architecture is characterized by a combination of detail from several eras of Spanish Baroque, Spanish Colonial, Moorish Revival and Mexican Churrigueresque architecture. The style is marked by the prodigious use of smooth plaster ( stucco ) wall and chimney finishes, low- pitched clay tile , shed, or flat roofs, and ...
Spanish Renaissance architecture emerged in the late 15th century as Renaissance ideals reached Spain, blending with existing Gothic forms. Rooted in Renaissance humanism and a renewed interest in Classical architecture , [ 1 ] the style became distinguished by a synthesis of Gothic and Italian Renaissance elements.
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Plateresque, meaning "in the manner of a silversmith" (plata being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century and spread over the next two centuries.