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For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film. Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
Technicolor introduced dye transfer in its Process 3, introduced in the feature film The Viking (1928), which was produced by the Technicolor Corporation and released by Metro-Goldwyn-Mayer. Technicolor's two previous systems were an additive color process and a physically problematic subtractive color process, the latter requiring two prints ...
16 mm sound movie showing a variable-width sound track on single-perforation film stock. 16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2 ⁄ 3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational ...
Each manufacturer had previously offered one negative stock (usually orthochromatic) and one print stock. In 1920, a variant of Type F film known as X-back was introduced to counteract the effects of static electricity on the film, which can cause sparking and create odd exposure patterns on the film. A resin backing was used on the film, which ...
Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
A late modification to the "Monopack Agreement", the "Imbibition Agreement", finally allowed Technicolor to economically manufacture 16mm dye-transfer prints as so-called "double-rank" 35/32mm prints (two 16mm prints on a 35mm base that was originally perforated at the 16mm specification for both halves, and was later re-slit into two 16mm wide ...
The original Kodacolor film required an exposure of about a 1/30 second at f/1.9 in bright sunlight representing a film 'speed' (sensitivity) in modern terms of about 0.5 ISO. The physical movement of the film through the gate (frame-advance) requires additional time.
2.4-inch (60.96 mm) stock, unperforated, no backing paper Twice as long as 120 [ 5 ] . Final films in 220 were professional films for commercial/wedding photography; Kodak Portra (2015) and Fujifilm Colour Negative and Reversal (2017 in Japan only).