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The Canon EOS R5 is a professional full-frame mirrorless interchangeable-lens camera ... 8K raw video recording at up to 29.97 fps [3] 4K 10-bit video recording at up ...
8K raw video recording at up to 59.94 fps [3] 100% autofocus coverage [3] 5,850 user-selectable autofocus points for still images [3] High-speed continuous shooting of up to 12 fps with mechanical shutter; up to 30 fps with the electronic (silent) shutter [3] 5-axis in-body image stabilization which can provide up to 8.5 stops of shake ...
Does not support internal 4K recording, must use an external recorder via HDMI, but see Sony α7S II. Only 1080p is recorded internally. Sony α7S II - Full Frame with internal 4K recording; Sony α7S III; Sony α9 - XAVC S 4K: 3840 x 2160 (30p/25p/24p), 4:2:0 8bit [16] Sony α9 II; Sony α9 III - First full frame mirrorless camera with a ...
Canon revealed some more key details about the R5 camera’s video capability, saying it will shoot 10-bit 4K Canon Log video using the full-width of the sensor at up to a stellar 120 fps, easily ...
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.
The C300 mark III uses a DIGIC DV 7 implementation. The C300mkiii is capable of 4k up to 120fps when recording in XF-AVC 4:2:2 10-Bit, and Cinema RAW Light. The Canon C500mkii is capable of 5952 x 3140 up to 60fps when recording in Cinema RAW Light 10-Bit, as well as 12-Bit 30fps in both 5.9k and 4k super35 modes.
4K 10-bit video recording at up to 60 fps [3] 1080p video recording at up to 120 fps [3] 100% autofocus coverage [3] 1,053 autofocus points [3] Native ISO range of 100 to 102,400; expandable to 204,800 [3] High-speed continuous shooting of up to 12 fps with mechanical shutter and electronic 1st curtain, and up to 20 fps with the electronic ...
As technology improved, out-of-studio video recording was possible with compact video cameras and portable video recorders; a detachable recording unit could be carried to a shooting location. Although the camera itself was compact, the need for a separate recorder made on-location shooting a two-person job. [ 3 ]