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It was released on February 16, 2009. The song received strong airplay in Australia and New Zealand, as well as being added to the BBC Radio 1 A-List playlist in the UK. The music video for "Please Don't Leave Me" was directed by Dave Meyers and was leaked online, along with the single's cover art, before the song's official announcement as a ...
The album was preceded by the release of its lead single, reggae-pop track "Please Don't Let Me Go". Lyrically, "Please Don't Let Me Go" is based on a previous relationship of Murs', in which the woman did not love him back, he asks her to not to let go of him so soon. [6] Some of the tracks present Murs as being critical of his ex-girlfriends ...
The music video for "Please Don't Let Me Go" premiered on 23 July 2010. [5] It was filmed on location at a house near Reading, Berkshire. The video shows Murs pursuing a young girl who is playing hard-to-get at a large party. When he starts to lose hope, she then pursues him and the video culminates with both of them dancing into the night.
Murs confirmed the first single from the album to be titled "Please Don't Let Me Go", which was released on 27 August 2010 following the circulation of the accompanying music video. [29] The song was written by Murs himself and with other songwriters, Claude Kelly and Steve Robson; the single was also produced by Future Cut. [26]
The song finds Machine Gun Kelly melodically rapping over a piano-laced instrumental about his personal issues, [1] [2] including his "breakdown" that led him to receive his recently debuted "blackout" tattoo [1] [2] [3] (which covers most of his arms and torso), [4] struggles with mental health [2] [3] [5] [6] emotional instability, [6] [7] substance abuse [3] [7] and suicidal thoughts, [7 ...
"Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals on their album Animal Tracks, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda on their album Don't Let Me Be Misunderstood, which was a four-on-the-floor rearrangement.
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In 1955, MGM acquired the Johnnie Fair Syrup shows. Between January and May 1949, Williams had pre-recorded early morning radio shows for Johnnie Fair, and MGM issued several songs from the surviving acetates as singles to satisfy the perennial demand for product by the late country singer, who was quickly becoming a mythic figure in country music. [1]