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Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans , earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society.
In 1949, the new editor of Camera magazine, Walter Laubli (1902–1991), published a substantial portfolio of Jakob Tuggener pictures made at upper-class entertainments and in factories, alongside the work of 25 year-old Robert Frank who had just returned to his native Switzerland after two years abroad, with pages including some of his first pictures from New York.
Robert Frank, a renowned Swiss photographer and documentary filmmaker, is the subject of a full-length film titled "Leaving Home Coming Home: A Portrait of Robert Frank. [6]" This film explores the intersection of Frank's personal life and his artistic vision, resulting in his powerful and textured images.
Don't Blink – Robert Frank has received positive reviews from critics. Review aggregator Rotten Tomatoes gives the film an approval rating of 84%, based on 32 reviews, with an average rating of 6.7/10. [2] On Metacritic, the film has a score of 75 out of 100, based on 10 critics, indicating "generally favorable reviews". [3]
2010: The Unseen Eye: Photography from the collection of W.M. Hunt (group exhibition), Appleton Museum of Art, Ocala [11] 2012: Robert Frank. From the collection of Fotomuseum Winterthur, Multimedia Art Museum, Moscow [12] 2014: Robert Frank In America, Cantor Art Center at Stanford University, Stanford [13] 2014: Robert Frank.
Photographer Location Format Notes Cited survey(s) Street Arabs in the Area of Mulberry Street: 1880 Jacob Riis: New York City, United States Gelatin silver print [s 2] Water Rats: 1886 Frank Meadow Sutcliffe: Whitby, England, United Kingdom Albumen print [s 1] Bandits' Roost, 59 1/2 Mulberry Street: 1888 Jacob Riis: Mulberry Bend, New York ...
In Bezner, Lili Corbus (1999), Photography and politics in America : from the New Deal into the Cold War, Johns Hopkins University Press; Wantage : University Presses Marketing, ISBN 978-0-8018-6187-1; Gedney, W and Donaghy, D. ‘From The family of man (1955) to Robert Frank. William.’ In Mora, Gilles (2007), 1945-.
Swiss-American photographer Robert Frank is generally credited with developing a counterstrain of more personal, evocative, and complex documentary, exemplified by his work in the 1950s, published in the United States in his 1959 book, The Americans.