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A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
Unlike its southern musical counterparts Houston's rap style has consistently remained slower, even in the beginning of Houston hip hop, as can be heard on the earliest Houston based group Geto Boys records from the mid to late 80's. It is unknown when DJ Screw definitively created "screwed and chopped" music. Screw's former manager Charles ...
"Ghetto Supastar (That Is What You Are)" is a song by American rapper Pras, featuring Wu-Tang Clan member Ol' Dirty Bastard and R&B singer Mýa. Produced by Pras and Wyclef Jean, with co-production from Jerry 'Wonda" Duplessis and Che Pope, it interpolates Kenny Rogers and Dolly Parton's 1983 single "Islands in the Stream", as written by the Bee Gees, and samples "Get Up, Get into It, Get ...
The song was featured prominently at the first Olympic breakdancing event at the 2024 Summer Olympics. [4]The song was featured in a commercial for the 2010 Kia Soul. [5] [6] [7] The song was also featured in a JCPenney commercial from 2005.
"Jump Around" is a song by American hip hop group House of Pain, produced by DJ Muggs of Cypress Hill, who has also covered the song, and was released in May 1992 by Tommy ...
Slant Magazine listed "Tennessee" at number 98 in their ranking of "The 100 Best Singles of the 1990s" in 2011, writing, "Perhaps no other track from the early ‘90s provided better (or catchier) proof that hip-hop was more versatile and capable than prevailing gangster-rap themes than Arrested Development’s "Tennessee", its stuttering ...
"O.P.P." is a song by American hip hop group Naughty by Nature, released in August 1991 by Tommy Boy as the lead single from the group's self-titled second album (1991). It was one of the first rap songs to become a pop hit when it reached No. 6 on the US Billboard Hot 100 and No. 35 on the UK Singles Chart .
Here's just what you need: a zesty stew of traditional jazz-fusion, hip-hop, and classic funk. Live horns (with a trumpet solo that works!), imaginative use of samples from Herbie Hancock's "Cantaloop Island", and diggy-diggy-bop rapping render this an essential playlist addition."