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A 2007 performance of Cao Yu's The Wilderness (1932). Huaju (simplified Chinese: 话剧; traditional Chinese: 話劇; pinyin: Huàjù; lit. 'word drama'), translated variously as spoken drama, modern spoken drama, or modern Chinese drama, is a form of spoken-word drama found through the Sinophone world.
Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century. [1]
The Spring Willow Theatre performing Victorien Sardou's La Tosca (1909), with Lu Jingruo and Ouyang Yuqian in the main roles. Civilized drama (simplified Chinese: 文明戏; traditional Chinese: 文明戲; pinyin: wénmíng xì) was a genre of spoken-word and operatic drama that emerged in the late Qing dynasty and remained popular through the early years of the Republic of China.
Black Slave's Cry to Heaven Original poster Original title Traditional Chinese 黑奴 籲天 錄 Simplified Chinese 黑奴 吁天 录 Transcriptions Standard Mandarin Hanyu Pinyin Hēinú Yūtiān Lù Wade–Giles Hei 1 nu 2 Yü 1 t`ien 1 Lu 4 Written by Zeng Xiaogu Based on Uncle Tom's Cabin by Harriet Beecher Stowe Date premiered 1 June 1907 (1907-06-01) Original language Chinese Black Slave ...
An early form of Chinese drama is the Canjun Opera (參軍戲, or Adjutant Play) which originated from the Later Zhao Dynasty (319–351 AD). [10] [11] [12] In its early form, it was a simple comic drama involving only two performers, where a corrupt officer, Canjun or the adjutant, was ridiculed by a jester named Grey Hawk (蒼鶻). [10]
Chinese television dramas (Chinese: 中国电视连续剧; pinyin: Zhōngguó diànshì liánxùjù), sometimes colloquially known as C-dramas, are Chinese-language television drama series originating from mainland China, sometimes including co-productions with the Greater China region.
Kunqu Opera is the oldest existing drama form in China with a complete performance system, which has had a profound influence on later Chinese operas. Chinese opera has been spreading on the stage since its formation. With the change of time, the script, the voice and the performance are constantly changing.
The flower cavity is mainly composed of small plays, the tone is healthy and simple, beautiful and cheerful, with a strong sense of life and the color of the folk songs; the color cavity is very popular, and it has been widely used in the small dramas; the main theme is the vocal used in the traditional Chinese drama of Huangmei opera.