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Pages in category "Musicals inspired by real-life events" The following 154 pages are in this category, out of 154 total. This list may not reflect recent changes .
While there is a degree of inter-individual variation in music listening patterns and evoked responses, MEAMs are generally triggered in response to a wide variety of music, often popular or classical genres, [1] and are estimated to occur in the range from one to a few times per day, [2] [3] regardless of formal instrumental practice or music ...
A personal-event memory is an individual's memory of an event from a certain moment of time. Its defining characteristics are that it is for a specific event; includes vivid multi-sensory elements (sights, sounds, smells, body positions, etc.); is usually recalled in detail; and is usually believed by the individual to be an accurate representation of the event.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Another example is the effect of music on movement disorders: rhythmic auditory stimuli have been shown to improve walking ability in Parkinson's disease and stroke patients. [41] [42] Feedback interactions are particularly relevant in playing an instrument such as a violin, or in singing, where pitch is variable and must be continuously ...
Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop.
One study had people take a personality test before and after listening to classical music with and without written lyrics in front of them. Music both with and without lyrics showed some effect on people's self-reported personality traits, most significantly in terms of openness to experience, which showed a significant increase. [26]
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.