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Masks used in theatrical performances and dances varied widely: from depictions of the various animals of the Mesoamerican world, to images of old men and women generally for comedic relief, to designs that made fun of neighboring ethnic groups. [2] Mask from Teotihuacan at the Art Institute of Chicago.
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Animals are common subjects in African masks. Animal masks typically embody the spirit of animals, so that the mask-wearer becomes a medium to speak to animals themselves (e.g. to ask wild beasts to stay away from the village); in many cases, nevertheless, an animal is also (sometimes mainly) a symbol of specific virtues.
A transformation mask, also known as an opening mask, is a type of mask used by indigenous people of the Northwest Coast of North America and Alaska in ritual dances. These masks usually depict an outer, animal visage, which the performer can open by pulling a string to reveal an inner human face carved in wood to symbolize the wearer moving ...
Archaeological masks have been found from early Paleo-Eskimo and from early Dorset culture period. [2] It is believed that these masks served several functions, including being in rituals representing animals in personalized form; [14] being used by shaman (medicine man or angakkuq) in ceremonies relating to spirits (as in the case of a wooden mask from southwestern Alaska); [15] it is also ...
Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
Disruptive eye masks are seen on a variety of animals, both invertebrates such as grasshoppers and vertebrates, including fish, frogs, birds and snakes. Eye masks were first noticed by the American artist Abbott Handerson Thayer in 1909, and analysed extensively by the zoologist Hugh Cott in 1940.
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