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An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
A story arc (also narrative arc) is the chronological construction of a plot in a novel or story. It can also mean an extended or continuing storyline in episodic storytelling media such as television , comic books , comic strips , board games , video games , and films with each episode following a dramatic arc . [ 1 ]
At the end of the last play, a satyr play was staged to revive the spirits of the public, possibly depressed by the events of the tragedy. [ note 1 ] In the work of Aeschylus, comparing the first tragedies with those of subsequent years, there is an evolution and enrichment of the proper elements of tragic drama: dialogue, contrasts, and ...
The eucatastrophe is a classical catastrophe with an unexpected positive outcome for the protagonist. This term was coined to distance itself from the vernacular use of the word 'catastrophe' to signify disaster (which gave the term negative connotations in everyday usage).
Come to a sticky end [1] To die in a way that is considered unpleasant Humorous: British. Also 'to meet a sticky end'. Counting worms [5] Dead Euphemistic: Croak [7] To die Slang: Crossed the Jordan Died Biblical/Revivalist The deceased has entered the Promised Land (i.e. Heaven) Curtains Death Theatrical The final curtain at a dramatic performance
Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession. Screenwriters are responsible for researching the story, developing the narrative, writing the script, screenplay, dialogues and delivering it, in the required ...
Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...