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The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
In the Land of Hi-Fi with Julian Cannonball Adderley: EmArcy 1956 1957-02-06, -08, -11 Sophisticated Swing: EmArcy 1957 1957-02-07, -08, -11 1957-03-06 Cannonball Enroute: Mercury: 1961 1958-03-04, -06 Cannonball's Sharpshooters: Mercury 1958 1958-03-09 Somethin' Else – with Miles Davis: Blue Note: 1958 1958-07-01 Portrait of Cannonball ...
The Penguin Guide to Jazz awarded the album 4 stars, stating: "At the Lighthouse, which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering and fingersnapping crowd".
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
Nat and Cannonball Adderley at the Concertgebouw, Amsterdam, 1961. During the 1960s, Adderley acted as cornetist, composer, and manager for the quintet. [3] While he kept the band in order, he also composed some of the group's most successful songs. His most successful song was "Work Song" (January 1960), a hard bop tune.
During the 1950s and 1960s, musicians such as Max Roach, Clifford Brown, Cannonball Adderley, Dinah Washington, and Sarah Vaughan recorded for EmArcy. [ 1 ] Today, it is a European jazz label owned by Universal Music Group .
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley ...
The Penguin Guide to Jazz awarded the album 3½ stars stating "The Poll Winners session was a typical all-star meeting of the day, and if it seemed artificial at the time, how good it is to be able to hear, nearly 50 years on, Adderley, Montgomery and Brown in the same band. If there's nothing which could be called surprising, the opportunity ...