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Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string ...
There were large differences in size, instrumentation and playing styles—and therefore in orchestral soundscapes and palettes — between the various European regions. The Baroque orchestra ranged from smaller orchestras (or ensembles) with one player per part, to larger-scale orchestras with many players per part. Examples of the smaller ...
Chamber opera – Opera written to be performed with a chamber ensemble rather than a full orchestra. Symphony – Large-scale composition, typically for an orchestra and often in four movements. Sinfonietta – Symphony that is smaller in scale or lighter in approach.
A wind orchestra or concert band is a large classical ensemble generally made up of between 40 and 70 musicians from the woodwind, brass, and percussion families, along with the double bass. The concert band has a larger number and variety of wind instruments than the symphony orchestra but does not have a string section (although a single ...
The key characteristic of European classical music that distinguishes it from popular music, folk music, and some other classical music traditions such as Indian classical music, is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and ...
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass.
[17] Another important technique of Mozart's orchestration was antiphony, the "call and response" exchange of musical motifs or "ideas" between different groups in the orchestra. In an antiphonal section, the composer may have one group of instruments introduce a melodic idea (e.g., the first violins), and then have the woodwinds "answer" by ...
Many believe this is a major difference between the orchestra (which usually lacks a large battery of percussion) and the concert band. While in older transcriptions and concert works, the timpani were treated as their own section as in an orchestra, today in bands the timpani are considered a part of the percussion section. Consequently, the ...