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Tantric goddess Bhairavi and her consort Shiva depicted as Kāpālika ascetics, sitting in a charnel ground. Painting by Payāg from a 17th-century manuscript (c. 1630–1635), Metropolitan Museum of Art, New York City. Bhairavi yantra. Bhairavi is also a title for a female adept in Kundalini, Tantra. A yogini is a student of Tantra or an aspirant.
The retinue of the deity is often represented in the geometric parts around the center. The bindu in a yantra may be represented by a dot or small circle, or may remain invisible. It represents the point from which all of creation emanates. Sometimes, as in the case of the Linga Bhairavi yantra, the bindu may be presented in the form of a linga ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 20 February 2025. Aniconic representation of the Hindu god Shiva "Linga" and "Shivling" redirect here. For other uses, see Linga (disambiguation) and Shivling (disambiguation). A lingam with tripundra, projected on a yoni base Part of a series on Shaivism Deities Parameshvara (Supreme being) Shiva ...
Cast as a discourse between the god Bhairava and his consort Bhairavi it briefly presents 112 Tantric meditation methods or centering techniques . The text is a chapter from the Rudrayamala Tantra, a Bhairava Agama. Bhairavi, the goddess, asks Bhairava to reveal the essence of the way to realization of the highest reality.
In addition, they have continued to build the community halls and Shaiva temple traditions of South India. Their temples include Shiva linga in the sanctum, a sitting Nandi facing the linga, with mandapa and other features. However, the prayers and offerings are not led by Brahmin priests but by Lingayat priests (Veerashaiva Jangama). [105]
The various units from the Hall of offering to the tower of the sanctum increase in height. The bhogamandapa (Hall of offering) measures 42 ft (13 m) × 42 ft (13 m) from the inside, 56.25 ft (17.15 m) × 56.25 ft (17.15 m) from the outside and has four doors in each of the sides. The exterior walls of the hall has decorative sculptures of men ...
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According to a Shiva legend from the Shiva Purana, once, Brahma (the god of creation) and Vishnu (the god of preservation) had an argument over their supremacy. [2] To settle the debate, Shiva pierced the three worlds, appearing as a huge, infinite pillar of light, the jyotirlinga.