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  2. Category:Lizards in art - Wikipedia

    en.wikipedia.org/wiki/Category:Lizards_in_art

    Pages in category "Lizards in art" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. B. Boy Bitten by a Lizard; F.

  3. Reptiles (M. C. Escher) - Wikipedia

    en.wikipedia.org/wiki/Reptiles_(M._C._Escher)

    Reptiles depicts a desk upon which is a two dimensional drawing of a tessellated pattern of reptiles and hexagons, Escher's 1939 Regular Division of the Plane. [2] [3] [1] The reptiles at one edge of the drawing emerge into three dimensional reality, come to life and appear to crawl over a series of symbolic objects (a book on nature, a geometer's triangle, a three dimensional dodecahedron, a ...

  4. The Age of Reptiles - Wikipedia

    en.wikipedia.org/wiki/The_Age_of_Reptiles

    The Age of Reptiles is a 110-foot (34 m) mural depicting the period of ancient history when reptiles were the dominant creatures on the earth, painted by Rudolph Zallinger. The fresco sits in the Yale Peabody Museum in New Haven, Connecticut , and was completed in 1947 after five years of work. [ 1 ]

  5. Category:Reptiles in art - Wikipedia

    en.wikipedia.org/wiki/Category:Reptiles_in_art

    Turtles in art (2 C, 11 P) Pages in category "Reptiles in art" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. H.

  6. Boy Bitten by a Lizard - Wikipedia

    en.wikipedia.org/wiki/Boy_Bitten_by_a_Lizard

    Boy Bitten by a Lizard (Italian: Ragazzo morso da un ramarro) is a painting by the Italian Baroque painter Caravaggio. It exists in two versions, both believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence , the other in the National Gallery , London.

  7. Representation of animals in Western medieval art - Wikipedia

    en.wikipedia.org/wiki/Representation_of_animals...

    The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.