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In poetry, a couplet (/ ˈ k ʌ p l ə t / CUP-lət) or distich (/ ˈ d ɪ s t ɪ k / DISS-tick) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line ...
The second lines of the two stanzas are different, but rhyme at the end with the first and last lines. (In other words, all the "A" and "a" lines rhyme with each other, but not with the "b" lines.) XAXA – Four lines, two unrhymed (X) and two with the same end rhyme (A) Other notation examples:
In poetics, closed couplets are two line units of verse that do not extend their sense beyond the line's end. Furthermore, the lines are usually rhymed. When the lines are in iambic pentameter, they are referred to as heroic verse. However, Samuel Butler also used closed couplets in his iambic tetrameter Hudibrastic verse. [1]
A traditional kyrielle is written in octosyllabic rhyming couplets, which are typically paired in quatrains. [3] Typically, a kyrielle will use the phrase "Lord, have mercy" or a variation as a refrain as the second line of the couplet or last line of the quatrain. However, some kyrielles use other phrases or words for the refrain.
There are two refrains and two repeating rhymes, with the first and third line of the first tercet repeated alternately until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed versed form. Tanka – a classical Japanese poem, composed in Japanese (rather than Chinese, as with kanshi)
It is a very short poetic form being an independent couplet complete in 2 lines, the first line consisting of 4 words and the second line consisting of 3. As one of the five types of Venpa stanza, it must also conform to the grammar for Venpa, the most difficult and the most highly esteemed of stanzaic structures in classical Tamil literature .
Thus a collection of two lines is a couplet (or distich), three lines a triplet (or tercet), four lines a quatrain, and so on. These lines may or may not relate to each other by rhyme or rhythm. For example, a couplet may be two lines with identical meters which rhyme or two lines held together by a common meter alone. [91]
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...