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Street Light (also known as The Street Light: Study of Light and Street Lamp (Suffering of a Street Lamp)[3]) (Italian: Lampada ad arco) is a painting by Italian Futurist painter Giacomo Balla, dated 1909, depicting an electric street lamp casting a glow that outshines the crescent moon. [4][5] The painting was inspired by streetlights at the ...
Giacomo Balla (18 July 1871 – 1 March 1958) was an Italian painter, art teacher and poet best known as a key proponent of Futurism. In his paintings, he depicted light, movement and speed. He was concerned with expressing movement in his works, but unlike other leading futurists he was not interested in machines or violence with his works ...
Iridescent Interpenetration (Italian: Compenetrazione iridiscente) is the title of several artworks and studies in a series by Italian Futurist painter Giacomo Balla, created between 1912 and 1914, which feature intersecting triangles and other geometric patterns in kaleidoscopic color. In Iridescent Interpenetration, Balla attempts to separate ...
Location. Buffalo AKG Art Museum, Buffalo. Dynamism of a Dog on a Leash (Italian: Dinamismo di un cane al guinzaglio), sometimes called Dog on a Leash[2] or Leash in Motion, [3] is a 1912 oil painting by Italian Futurist painter Giacomo Balla. [4] It was influenced by the artist's fascination with chronophotographic studies of animals in motion ...
Location. Peggy Guggenheim Collection (on long-term loan), Venice. Mercury Passing Before the Sun (Italian: Mercurio transita davanti al sole or Mercurio (che) passa davanti al sole) is the title of a series of paintings by Italian Futurist painter Giacomo Balla, depicting the November 17, 1914, transit of Mercury across the face of the Sun.
Il Dubbio. 1907–1908. Galleria Nazionale d'Arte Moderna, Rome, Italy. Street Light. Lampada ad arco. 1910–11. oil on canvas. Museum of Modern Art, New York City. Dynamism of a Dog on a Leash.
Museo del Novecento, Milan. Girl Running on a Balcony is a 1912 painting by Giacomo Balla, one of the forerunners of the Italian movement called Futurism. The piece indicates the artist's growing interests in creative nuances which would later formally be realized as part of the Futurist movement. The artist was heavily influenced by northern ...
Balla was inspired to use multiplication to imply motion by the photographic experiments of Eadweard Muybridge and Étienne-Jules Marey. [4] As with other Futurists, he was also inspired by Cubism's methods of capturing multiple perspectives; The Hand of the Violinist has been said to bring the viewer "inside the reverberations of the instrument itself", and has earned comparison with Marcel ...