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Gombhira, Gambhira or Gamvira (Bengali: গম্ভীরা) is a type of Bengali folk song and dance originating in the Bengal region, from what is known today as northwestern Bangladesh and north eastern West Bengal, India.
Gambhira originated among the Hindu community of Malda, West Bengal. After the partition of India, Chapai Nawabganj District in Rajshahi became its centre. [56] Gambhira has undergone many changes in terms of the theme and style of its presentation. Muslims also became custodians of the dance, which became an integral part of their culture ...
The Gambhira dance is a devotional folk dance that addresses social, political, and moral issues of contemporary society, and it is popular during festivals in North Bengal. The Santhal dance celebrates nature and addresses gender issues and land rights, and it is performed by both men and women of the Santhali tribe.
The Gambhira dance along with Gambhira Song is performed all over the Malda district of North Bengal during the festival of Chaitra Sankranti. For this festival Gambhira masks are made out of neem and fig trees by the local Sutradhar community .
Gambhira mask is a part of Gomira dance which originated in North and the South Dinajpur of West Bengal. The word Gomira is colloquial from Gram-Chandi , a female deity. The origin of this craft is no doubt very old and some of the craftsmen claim it is at least as old as the beginning of Kali Yuga .
Chhau Mask dance performing in the field Tribal bamboo mask from Dinajpur Mask or Mukhosh of West Bengal, as it is known for has a mysterious history. Mostly it uses for the Mask Dance, the folk dance of West Bengal. The wearing of these masks is connected with early types of folklore and religion. There are various type of masks made up of clay, wood, sponge wood or shola, pith, paper, metal ...
In time, these open-air stages became the mainstay of these plays, though the name stuck with the genre; and as it evolved it absorbed all the prevalent folk traditions of music, dance and singing, be it Jhumur, Gambhira, Gajangan, or Panchali into its folds, to create a new template for folk theatre in the coming centuries. [15] [16]
In 1934, the Bangiya Palli Sampad Raksha Samiti was renamed as The Bengal Bratachari Society. In 1936, he started a magazine Banglar Shakti for The Bengal Bratachari Society. Gurusaday Dutt did extensive research in the field of Folk art, crafts and folk dances of Bengal. He collected objects of folk art and crafts from the countryside.