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The Baroque Revival, also known as Neo-Baroque (or Second Empire architecture in France and Wilhelminism in Germany), was an architectural style of the late 19th and early 20th centuries. [1] The term is used to describe architecture and architectural sculptures which display important aspects of Baroque style, but are not of the original ...
The Russian Revival-representing Uspenski Cathedral from 1868 in Katajanokka, Helsinki, Finland. The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given ...
As the Second Empire style evolved from its 17th-century Renaissance foundations, it acquired a mix of earlier European styles, most notably the Baroque, often combined with mansard roofs and/or low, square-based domes. [7] The style quickly spread and evolved as Baroque Revival architecture throughout Europe and across the Atlantic. Its ...
Baroque Revival architecture — in the United States. Subcategories. This category has the following 2 subcategories, out of 2 total. C. Polish cathedral style ...
Currently, the style is most widely known as Second Empire, [1] Second Empire Baroque, [2] or French Baroque Revival; [3] Leland M. Roth refers to it as "Second Empire Baroque." [ 4 ] Mullett-Smith terms it the "Second Empire or General Grant style" due to its popularity in designing government buildings during the Grant administration.
The sheriff court in Greenock (1869) is a typical Scottish Baronial building with crow-stepped gables and corbelled corner turrets.. Scottish baronial or Scots baronial is an architectural style of 19th-century Gothic Revival which revived the forms and ornaments of historical architecture of Scotland in the Late Middle Ages and the Early Modern Period.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in Herculaneum and Pompeii. Its features included the straight column, the simplicity of the post-and-lintel, the architrave of the Greek temple.