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The Day the Music Died; Deutschland über alles; Die Meister. Die Besten. Les grandes équipes. The champions! Don't Believe the Hype; Don't call it a comeback; Don't Eat the Yellow Snow; Don't it always seem to go that you don't know what you've got till it's gone; La donna è mobile; Doo-be-doo-be-doo; The dreams in which I'm dying are the ...
Portal:Classical music/Quotes/10 Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
Although less common, musical quotations can be found in rock music, for example Barenaked Ladies "Hello City" quotes a stanza from The Housemartins' "Happy Hour". Sampling, a foundation of hip hop music, is the reuse of a portion (or sample) of a sound recording in another recording. [11]
In the context of psychology, a coping strategy is any technique or practice designed to reduce or manage the negative effects associated with stress. While stress is known to be a natural biological response, biologists and psychologists have repeatedly demonstrated that stress in excess can lead to negative effects on one's physical and psychological well-being. [3]
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She heard the Quotations' music and became their manager. Miller shopped the group around and they eventually met up with executives at Verve Records. Historically, Verve was not considered a doo-wop label, focusing more on jazz and blues music. The group chose to do a new, uptempo style version of Jimmy Van Heusen's song, "Imagination". [1]
A quotation or quote is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
Sinfonia (Symphony) is a composition by the Italian composer Luciano Berio which was commissioned by the New York Philharmonic for its 125th anniversary. Composed in 1968–69 for orchestra and eight amplified voices, it incorporates musical quotations to represent an abstract and distorted history of culture.