Search results
Results From The WOW.Com Content Network
A maraca (pronunciation ⓘ), sometimes called shaker or chac-chac, [1] is a rattle which appears in many genres of Caribbean and Latin music.It is shaken by a handle and usually played as part of a pair.
Maracas valley is part of the biodiverse Northern Range mountain range. The region was once inhabited by the Amerindians. There is a rock outcrop that features petroglyphs created by the valley's earliest inhabitants. Historically, the Maracas valley had often attracted many settlers, due to its cool climate and well-watered soil.
Maracas–Saint Joseph is a colloquial name used in Trinidad and Tobago to distinguish the Maracas Valley above the town of Saint Joseph from Maracas Beach.Maracas–Saint Joseph is one of the large valleys on the southern side of the Northern Range, while Maracas Beach lies on the opposite side of the mountains.
The Maracapana Savannah is a plain close to the Catia Laguna with groupings of palm trees and gourd trees that were very valuable to the native people, where they would take gourds to make maracas. The Savannah is in the vicinity of what is now the West Park and Sucre Plaza (Parque del Oeste y Plaza Sucre) in the City of Caracas.
Rattle from Papua New Guinea, made from leaves, seeds and coconut shell, to be tied around a dancer's ankle Maracas from Mexico Rattles from Pompeii. A rattle is a type of percussion instrument which produces a sound when shaken. Rattles are described in the Hornbostel–Sachs system as Shaken Idiophones or Rattles (112.1). [1] According to ...
Moruga – Christopher Columbus monument. Columbus landed here on his third voyage in 1498. This is on the southern coast of the island of Trinidad, West Indies. Trinidad is the larger and more populous of the two major islands of Trinidad and Tobago.
The shak-shak (or chak-chak) is a kind of Antillean musical instrument, similar to maracas or shakers. They are played in Barbados , Montserrat , Grenada and elsewhere in the Caribbean. Their uses include Montserratian string bands and the Barbadian crop over festival.
Green's performances on maracas, often using two or more in each hand, were an influence on 1960s British R&B groups including the Rolling Stones, the Pretty Things, the Animals (who mentioned Green in their 1964 song "Story of Bo Diddley", and in 1965's Club A-GO-GO), Them, and Manfred Mann, all of whom incorporated the use of maracas in their ...