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Totuuden helmi (The pearl of truth), Op. 88 (1915) – Music for a fairy tale play by Zachris Topelius in Finnish by Ester Ståhlberg (the prologue), Tyko Hagman, Valter Juva and Viljo Tarkiainen for soloists, choir and chamber orchestra – Published arranged for voice and piano and solo piano.
The Song of the Birds Christmas Carol In seeing emerge The greatest light During the most celebrated of nights, The little birds sing. They go to celebrate Him With their delicate voices. The imperial eagle flies high in the sky, singing melodically, saying, "Jesus is born To save us all from sin And to give us joy." The sparrow responds, Today ...
Musicologists such as Matthew Head and Suzannah Clark believe that birdsong has had a large though admittedly unquantifiable influence on the development of music. [2] [3] Birdsong has influenced composers in several ways: they can be inspired by birdsong; [4] they can intentionally imitate bird song in a composition; [4] they can incorporate recordings of birds into their works; [5] or they ...
The birds surrounded him, intrigued by the power of his voice, and not one of them flew away. [1] The key of the piece is A major , often associated by Liszt with religious sentiment. [ 2 ] The piece contains representations of birdsong, one of the few examples in Liszt's works of onomatopaeia .
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Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez . It is dedicated to the pianist Yvonne Loriod , who later became the composer's wife.