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The former House and School of Industry at 120 West 16th Street in New York City Simon C. Sherwood House (1884), Southport, Connecticut. The British 19th-century Queen Anne style that had been formulated there by Norman Shaw and other architects arrived in New York City with the new housing for the New York House and School of Industry [3] at 120 West 16th Street (designed by Sidney V ...
By Bud Dietrich At the end of the 19th century and early into the 20th, a popular home style in the United States was the Queen Anne. The Queen Anne was clearly a transitional style, creating a ...
Douglas House, Petersham, early 18th century Bluecoat Chambers in Liverpool (1717), in a version of the original Queen Anne style. The Queen Anne style of British architecture refers to either the English Baroque architecture of the time of Queen Anne (who reigned from 1702 to 1714) or the British Queen Anne Revival form that became popular ...
In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture. Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work.
The interior reflects the Queen Anne style with an asymmetrical floor plan. Through the front doors is a large entry hall. The interior includes stained and etched glass windows, plaster corbels and arches. The fireplace is decorated in a flower motif of oak with a faux marble painted soapstone enclosure. Door lights are made of engraved glass. [4]
William G. Harrison House, a Queen Anne cottage. Smaller and somewhat plainer houses can also be Queen Anne. The William G. Harrison House is an example, built in 1904 in rural Nashville, Georgia. Characteristics of the Queen Anne cottage style are: frame house typically one-story (although there may be a finished attic or garret for a second ...
On December 24, 1901, a chimney fire greatly damaged the house and the interior was renovated in 1902 by Stickley, who was by then a leading figure of the American Craftsman movement. [4] After the death of his wife, Gustav lived with his daughter Barbara Stickley Wiles & her family at this house from 1919 to his death there in 1942.
The house is a four-story structure in Baroque-Queen Anne style; it has several towers and the roof has bands of scalloped shingles alternating with plain. It stands on a site at the head of Eureka Valley and originally had 45 rooms; [1] The interior features an impressive foyer with grand staircase, carved fireplaces, mantels, and wood paneling, and fine stained glass.