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Theme from "Somewhere in Time" (3:20) A later release of the score was released on the Varèse Sarabande label. It was recorded in 1998 by the Royal Scottish Orchestra conducted by John Debney. Somewhere in Time (3:37) Old Woman (1:00) Grand Hotel (1:22) 1912 (1:42) Thanks (1:20) June 27 (1:32) Room 417 (1:04) The Attic (4:07) Near the Lake (2:14)
In the 1980 film Somewhere in Time, when Christopher Reeve's character Richard Collier time travels back to the year 1912, he arrives in a hotel room where a woman occupant is (anachronistically) humming the song. The 1941 recording by Harry James and His Orchestra features prominently in Woody Allen's 1986 film Hannah and Her Sisters.
Since its release, Somewhere in Time has been certified platinum by the RIAA, having sold over one million copies in the US. [9] Somewhere on Tour was the album's supporting tour. In 2023, it was made the focus of the Future Past World Tour, alongside 2021's Senjutsu.
Mike Sammes Singers' vocal version of "Somewhere My Love" was released in 1966 and peaked at No. 14 in 1967 in the UK. [4] Manuel & the Music of the Mountains' orchestral version reached No. 42 in the UK in 1966. [18] Charlie Matthews & The Royal Showband had a No. 1 hit with "Somewhere My Love" in Ireland in 1966. [19]
Iron Maiden broadened their sound with the use of guitar synthesisers in Somewhere in Time (1986). [8] Their following concept album , Seventh Son of a Seventh Son , was released in 1988, and also topped the UK charts.
Printable version; In other projects Wikidata item; ... 3:53; Somewhere in Time/The Old Woman - 5:56; Ride of the Valkyries (Richard Wagner) - 4:37;
The fourth disc features classical music by the London Chamber Orchestra which was ... "Time Is Passing" 3:26: 5. "Love ... 9:04: 3. "Behind Blue Eyes" (New version ...
The Five Pieces further develop the notion of "total chromaticism" that Schoenberg introduced in his Three Piano Pieces, Op. 11 (composed earlier that year) and were composed during a time of intense personal and artistic crisis for the composer, this being reflected in the tensions and, at times, extreme violence of the score, mirroring the expressionist movement of the time, in particular ...