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The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a rather different style known as millefleur in Indian carpets from about 1650 to 1800.
The ball-flower (also written ballflower) is an architectural ornament in the form of a ball inserted in the cup of a flower. It came into use in the latter part of the 13th century in England and became one of the chief ornaments of the 14th century, [ 1 ] in the period known as Decorated Gothic .
Among the oldest forms of the palmette in ancient Egypt was a 'rosette' or daisy-like lotus flower [5] emerging from a 'V' of foliage or petals resembling the akhet hieroglyph depicting the setting or rising sun at the point where it touches the two mountains of the horizon – 'dying', being 'reborn' and giving life to the earth.
The name hexafoil is sometimes also used to refer to a different geometric design that is used as a traditional element of Gothic architecture, [21] created by overlapping six circular arcs to form a flower-like image. [22] [23] The hexafoil design is modeled after the six petal lily, for its symbolism of purity and relation to the Trinity. [24]
In art history, a "floriated" or "flower scroll" has flowers, often in the centre of the volutes, and a "foliated" or "leaf scroll" shows leaves in varying degrees of profusion along the stems. The Ara Pacis scrolls are foliated and sparingly floriated, whilst those in the Dome of the Rock mosaics are profusely foliated with thick leaves ...
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This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...