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The implicit directional marks are non-printing characters used in the computerized typesetting of bi-directional text containing mixed left-to-right scripts (such as Latin and Cyrillic) and right-to-left scripts (such as Persian, Arabic, Syriac and Hebrew).
Download QR code; Print/export Download as PDF; Printable version; In other projects ... Doea Tanda Mata was a great success at the box office in Indonesia, ...
In kuji kiri the vertical strokes/slashes represent the yin/in syllables, while the horizontal strokes/slashes represent the yang/yo syllables. Thus, in kuji kiri the practitioner is first making an aggressive horizontal slash representing the first syllable which is a yang/yo which represents the absolute aspect or offensive nature of the deity.
Claudet also noted in 1867 that the thaumatrope could create a three-dimensional illusion. A spinning rectangular thaumatrope with the alternating letters of the name "Victoria" on each side, showed the full word with the letters at two different distances from the observer's eye. If the two strings of the thaumatrope are attached to the same ...
Other authors [8] claim that the reason for this was an aesthetic one: the elevated quotation marks created extra white space before and after the word, below the quotation marks. This was considered aesthetically unpleasing, while the in-line quotation marks helped to maintain the typographical color , since the quotation marks had the same ...
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
Most of the letters of the BSL alphabet are produced with two hands but when one hand is occupied the dominant hand may fingerspell onto an imaginary subordinate hand and the word can be recognised by the movement. As with written words, the first and last letters and the length of the word are the most significant factors for recognition.
The word "Bagala" is derived from the word "Valga" (meaning – bridle or to rein in) which, became "Vagla" and then "Bagla". [1] She has 108 different names (some others also call her by 1,108 names [2]). Bagalamukhi is commonly known as Pitambari in North India, the goddess associated with yellow color or golden color. She sits on a golden ...