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Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences. [3] Soukous fuses traditional Congolese rhythms with contemporary instruments.
Ndombolo dancer showcasing hip-swaying moves at the Anoumabo Urban Music Festival in Abidjan. Ndombolo's dance style is characterized by convulsive and fast-paced hip movements with intricate steps, combining floating arm movements, whirling body rotations, and ape-like poses.
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Fally Ipupa N'simba (born 14 December 1977), known professionally as Fally Ipupa, is a Congolese musician and dancer.Often referred to as the "Prince of Rumba", [1] [2] [3] he is noted for his tenor vocals [4] as well as his blend of contemporary and traditional Congolese music genres, including Congolese rumba, soukous, and ndombolo.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms, melodies, and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage.
Marie-Claire Mboyo Moseka (born 10 January 1959), known professionally as M'bilia Bel, is a Congolese singer and songwriter. [1] [2] Dubbed the "Queen of African Rumba" [3] [4] and "Queen Cleopatra", [5] [6] she is regarded as one of the most influential figures in 20th-century Congolese and African popular music.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).