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Ms. Ma, Nemesis [3] (Korean: 미스 마: 복수의 여신) is a South Korean television series starring Yunjin Kim, Jung Woong-in, Ko Sung-hee and CNU. It is based on Agatha Christie 's Nemesis . The series aired four consecutive episodes on Saturday on SBS TV from October 6 to November 24, 2018.
Liu Yongjian of Lianhe Zaobao gave the film 2 and a half stars out of five for entertainment and one star out of five for art. [6] John Lui of The Straits Times gave the film 2.5 stars out of 5 in his review of the film, stating, "While somewhat redeemed by its last story, which warns us that often, the stranger you are sexting with might want something more than a steamy chat, the most ...
Ma is a 2019 American psychological horror film directed by Tate Taylor and written by Scotty Landes. It stars Octavia Spencer , Juliette Lewis , Diana Silvers , Corey Fogelmanis, Gianni Paolo , McKaley Miller and Luke Evans and follows a group of teenagers who befriend a lonely middle-aged woman.
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The Welldeserved Fox (Vietnamese: Đáng đời thằng Cáo) is a 1959 Vietnamese animated film, directed by Lê Minh Hiền and Trương Qua. [1] It is based on the poem The fox and the hive (Con cáo và tổ ong) by Hồ Chí Minh .
The cinema of Vietnam originates in the 1920s and was largely influenced by wars that have been fought in the country from the 1940s to the 1970s.. Some proclaimed Vietnamese language-films include Cyclo, The Scent of Green Papaya and Vertical Ray of the Sun, all by Tran Anh Hung, challenged the war-torn depiction of Vietnam at the time. [5]
Nguyễn Thị Hòa was born in Quế Võ, Bắc Ninh province, Vietnam, on 31 May 1995, the fourth of five children. [10] She had an interest in singing since childhood. Determined to pursue her passion, when she was in her late teens, she asked her parents to go to Hanoi alone so she could earn a living and study mus
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...