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Samples of recorded Adinkra symbols. Adinkra are symbols from Ghana that represent concepts or aphorisms. Adinkra are used extensively in fabrics, logos and pottery. They are incorporated into walls and other architectural features. Adinkra symbols appear on some traditional Akan goldweights. The symbols are also carved on stools for domestic ...
The primary function of the tribal marks is for identification of a person's tribe, family or patrilineal heritage. [ 2 ] [ 3 ] Other secondary functions of the marks are symbols of beauty, Yoruba creativity and keeping mischievous children alive (ila Abiku).
This is a list of African spirits as well as deities found within the traditional African religions.It also covers spirits as well as deities found within the African religions—which is mostly derived from traditional African religions.
The sankofa symbol. Sankofa (pronounced SAHN-koh-fah) is a word in the Twi language of Ghana meaning “to retrieve" (literally "go back and get"; san - to return; ko - to go; fa - to fetch, to seek and take) and also refers to the Bono Adinkra symbol represented either with a stylized heart shape or by a bird with its head turned backwards while its feet face forward carrying a precious egg ...
African folk art consists of a variety of items: ... meaning this is a way of knowing the royal status of its wearer (Richard B, 36). ... and the "natural symbols ...
Ehret, Christopher, An African Classical Age: Eastern and Southern Africa in World History, 1000 B.C. to A.D. 400, page 159, University of Virginia Press, ISBN 0-8139-2057-4; Karade, B (1994) The Handbook of Yoruba Religious Concepts. York Beach, MA: Samuel Weiser Inc. P'Bitek, Okot. African Religions and Western Scholarship.
Nsibidi (also known as Nsibiri, [2] Nchibiddi or Nchibiddy [3]) is a system of symbols or proto-writing developed by the Ekpe secret society that traversed the southeastern part of Nigeria. They are classified as pictograms , though there have been suggestions that some are logograms or syllabograms .
As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...