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The queer Chicano art scene was greatly influenced by the experiences of Chicano civil rights movements. [1] The Chicano Movement (El Movimiento) established during the 1940's to 1970s was a social and political movement organized by Mexican Americans to fight for civil rights, structural racism, and a voice for the community. [6]
Machismo comes from the assertion of male dominance in everyday life. [21] Examples of this would be men dominating their wives, controlling their children, and demanding the utmost respect from others in the household. Machismo has become deeply woven in Cuban society and have created barriers for women to reach full equality.
The art has evolved over time to not only illustrate current struggles and social issues, but also to continue to inform Chicano youth and unify around their culture and histories. Chicano art is not just Mexican-American artwork: it is a public forum that emphasizes otherwise "invisible" histories and people in a unique form of American art.
Defining marianismo as "the cult of female spiritual superiority which teaches that women are semi-divine, morally superior to and spiritually stronger than men", Stevens argued that marianismo was a widespread phenomenon across Latin America which counterbalanced the cultural idea of machismo. [7]
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Chicano may derive from the Mexica people, originally pronounced Meh-Shee-Ka. [43]The etymology of the term Chicano is the subject of some debate by historians. [44] Some believe Chicano is a Spanish language derivative of an older Nahuatl word Mexitli ("Meh-shee-tlee").
For example, the machismo mentality creates barriers for women wanting to enter the workforce or pursue an education, as traditional gender roles designate them as belonging in the house. [ 5 ] [ 10 ] As machismo becomes apparent across institutions, such as in the family , economy , and educational system , the gender disparity between ...
Rasquachismo or "Rascuachismo" is a theory developed by Chicano scholar Tomás Ybarra-Frausto to describe "an underdog perspective, a view from "los de abajo" (from below) in working class Chicano communities which uses elements of "hybridization, juxtaposition, and integration" as a means of empowerment and resistance.