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The murals from the Christian temple at Qocho (German: Wandbilder aus einem christlichen Tempel, Chotscho) are three Church of the East mural fragments—Palm Sunday, Repentance and Entry into Jerusalem—discovered by the German Turpan expedition team, which was led by two German archaeologists Albert Grünwedel and Albert von Le Coq, in the early 20th century.
The life-size figures, extending the entire height of the fresco, are marked by curvilinear patterning, schematic drapery folds, and repeated figures creating abstract designs. [2] Jesus, riding an ass and her foal, raises his hands to bless the multitudes come to greet his arrival.
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
C. Cervara Altarpiece; Chigi Altarpiece; Christ Crucified (Velázquez) Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo)
Paintings of Christ and the woman taken in adultery (11 P) Pages in category "Paintings of Jesus" The following 200 pages are in this category, out of approximately 233 total.
The Mission Dolores mural is an 18th-century work of art in the Mission San Francisco de Asís, the oldest surviving structure in San Francisco. In 1791, the Ohlone people , Native Americans of the San Francisco Bay and laborers for the church, painted the mural on the focal wall of the sanctuary.