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Ichor originates in Greek mythology, where it is the "ethereal fluid" that is the blood of the Greek gods, sometimes said to retain the qualities of the immortals' food and drink, ambrosia and nectar. [2] Ichor is described as toxic to humans, killing them instantly if they came in contact with it.
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Supporting the view that gorgoneia originated as masks, are two groups of seventh-century BC terracotta gorgonion-like masks: a group of wearable helmet masks from Tiryns, and another group of non-wearable votive masks from the Sanctuary of Orthia at Sparta, which share some features with the typical earliest representations of Gorgon faces. If ...
Greek school of Pythagoreanism The tetractys is an equidistant and equiangular arrangement of ten points inside a triangle , akin to the fourth triangle number . It was developed by Pythagoras , and collectively signifies cosmic unity in the form of The Decad, as well as the musica universalis , or collective abstraction of the music generated ...
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
The masks were the most striking feature of the costume worn by the Athenian actors. Facial expression was lost anyway due to the huge size of the Greek theatres, but the masks were also a means of blotting out expression, so visual meaning was expressed by the entire body. The actors were seen as silhouettes, or integral bodies, rather than faces.
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Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. [1] Both gold and the philosopher's stone were associated with the color red, as rubedo signaled alchemical success, and the end of the great work. [2] Rubedo is also known by the Greek word iosis.