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Eugène Ionesco (French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
Victims of Duty (French: Victimes du Devoir) is a one-act play written in 1953 by French-Romanian playwright Eugène Ionesco. An early work, it has not received the notoriety of his other works. This play is in the Theatre of the Absurd style, of which Ionesco was a pioneer.
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The Chairs (French: Les Chaises) is a one-act play by Eugène Ionesco, described as an absurdist "tragic farce".It was first performed in Paris in 1952. [1]For Ionesco's Sandaliha (The Chairs), Bahman Mohasses [2] created a number of decorative and expressive chairs that when put together suggested an abstract forest.
Ionesco, criticized for his early brand of avant-garde work, wrote the play as a responsive satire. Portraying himself as a beleaguered playwright, Ionesco is besieged by three scholarly critics; “Bartholoméus I, II, III and their attempt to replace truth with dogma.
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First English edition cover (publ. Grove Press) Exit the King (French: Le Roi se meurt) is an absurdist drama by Eugène Ionesco that premiered in 1962. It is the third in Ionesco's "Berenger Cycle", preceded by The Killer (1958) and Rhinocéros (1959), and followed by A Stroll in the Air (1963).
Rhinoceros was a 1960 production of Eugène Ionesco's surrealist play of the same name, which had been written the year before.It was the first English-language production of the play, starred future husband-and-wife team Laurence Olivier and Joan Plowright, and was directed by Orson Welles.