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Plastov chose a subject where nudity seems natural to the viewer: a young woman in the open anteroom of a village bathhouse dressing a little girl. [1] [2] The artist combines the naked body of a young woman with "pink — nacre tones" and russet hair with the gray wooden walls, the soot-blackened door of the bathhouse, and the warm golden straw on the floor of the anteroom.
Rectangular Abstract composition with multicoloured biometric forms, measuring 9.75m x 6.4m. [11] Built in the 1950s as the headquarters of the decorative interior design company Arthur Sanderson & Sons, since converted into a hotel. Piper's glazing fills back wall of central staircase on ground floor, backlit and hung to disguise the lift ...
Le Déjeuner sur l'herbe (French: [lə deʒœne syʁ lɛʁb,-ʒøn-]; The Luncheon on the Grass) – originally titled Le Bain (The Bath) – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting.
X-ray imaging of the Bathers has revealed that some components of the composition were altered as Seurat’s work on the canvas progressed, while other components were probably not in the painting at all, as he first painted it. The two reclining figures—one at the front of the image, the other with the straw hat toward the rear—are ...
Like her previous works, the composition of The Child’s Bath resembles the shape of Japanese prints by utilizing an “extended vertical format” along with the long straight limbs of the figures. [10] Additionally, the seeing-from-above perspective which was used widely in Japanese art is also prominent in Cassatt's painting.
The panels’ dimensions are approximately 99 x 92 cm in size. Each of them is composed of three sycamore boards 2 cm thick that are joined with pegs and covered with linen canvas. The underdrawing on the chalk base was executed in charcoal and engraving. The painting was executed in tempera and pigments were bonded with gelatine.
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