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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes ... Harmonic minor scale: Harmonic minor scale on C. Play ...
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
The Phrygian dominant scale (a mode of the harmonic minor scale) The Arabic scales; The Hungarian minor scale; The Byzantine music scales (called echoi) The Persian scale; Scales such as the pentatonic scale may be considered gapped relative to the diatonic scale. An auxiliary scale is a scale other than the
The A harmonic minor scale can be used on the chords of a piece in A minor, especially on the minor ii–V–i chord progression. One of the most common uses of the harmonic minor scale is its fifth mode (phrygian dominant scale), which is a frequently used over dominant chords.
Jean-Philippe Rameau explained the diminished seventh chord as a dominant seventh chord whose supposed fundamental bass is borrowed from the sixth degree in minor, raised a semitone producing a stack of minor thirds. [8] Thus, in C, the dominant seventh is G 7 (G–B–D–F) and the sixth degree borrowed from the minor scale produces A ...