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"Fraction Too Much Friction" is a song by New Zealand musician, Tim Finn, released in May 1983 as his debut single from his debut studio album, Escapade. The song reached number 2 on the New Zealand charts and number 8 in Australia. At the 1983 Countdown Australian Music Awards, "Fraction Too Much Friction" won Best Video. [1]
The numbered musical notation (simplified Chinese: 简谱; traditional Chinese: 簡譜; pinyin: jiǎnpǔ; lit. 'simplified notation', not to be confused with the integer notation) is a cipher notation system used in mainland China, Taiwan, Hong Kong, and to some extent in Japan, Indonesia (in a slightly different format called "not angka"), Malaysia, Australia, Ireland, the United Kingdom ...
The standard of an album-equivalent unit in the United States, according to the RIAA. The album-equivalent unit, or album equivalent, [1] is a measurement unit in music industry to define the consumption of music that equals the purchase of one album copy. [2] [3] This consumption includes streaming and song downloads in addition to traditional ...
The scholars Iona and Peter Opie noted that many variants have been recorded, some with additional words, such as "O. U. T. spells out, And out goes she, In the middle of the deep blue sea" [3] or "My mother [told me/says to] pick the very best one, and that is Y-O-U/you are [not] it"; [3] while another source cites "Out goes Y-O-U." [4] "Tigger" is also used instead of "tiger" in some ...
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
For albums released after 2015, the best-performing album of the year is determined by album-equivalent units consisted of album sales, digital songs sales, and on-demand streaming, while the best-selling album is determined by album sales only. [27]
with this set of chosen notes in bold face, and some of the omitted notes shown in grey. [e]This limitation on the set meantone notes and their sharps and flats that can be tuned on a keyboard at any one time, was the main reason that Baroque period keyboard and orchestral harp performers were obliged to retune their instruments in mid-performance breaks, in order to make available all the ...
This met with major commercial success both in Australia and New Zealand, and yielded hit song "Fraction Too Much Friction", [1] which revealed a more rhythm-based sound than Split Enz had been known for. After contributing four songs to Split Enz album Conflicting Emotions, Finn left the band permanently in June 1984, to focus on a solo career.