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Marley is the subject of the novel Jacob Marley's Ghost by Michael Fridgen (2019), [40] Marley by Jon Clinch (2019) [41] and Jacob T. Marley by R. William Bennett (2011). [42] The song "Jacob Marley's Chain" appears on Aimee Mann's first solo album, Whatever (1993). [43] The American bluegrass band Marley's Ghost is named for the character. It ...
A ghostly hearse that Scrooge sees in the book going up his staircase after he sees Marley's face on his doorknocker happens outside on the street and becomes the hearse that carried Marley's body. Marley's ghost, although initially transparent (as in the book), solidifies when he enters the room.
"Marley's ghost plays a most important part in this film. Hire a man to play the part of the ghost. Dress him up in a white sheet. Have him paint his face a dead white and shade it to give it a skull-like effect at a little distance. Chains should be twisted about his body, and a short length should trail along the ground from each foot.
The Ghost is one of three spirits that appear to miser Ebenezer Scrooge to offer him a chance of redemption. Following a visit from the ghost of his deceased business partner, Jacob Marley, Scrooge receives nocturnal visits from three Ghosts of Christmas, each representing a different period in Scrooge's life. The Ghost of Christmas Past is ...
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Nottingham Playhouse by night Mark Gatiss adapted the drama and appeared in the original production as Jacob Marley, among other roles. The adaptation was directed by Adam Penford, designed by Paul Wills with a lighting design by Philip Gladwell, sound design by Ella Wahlström, video design by Nina Dunn, movement direction by Georgina Lamb and composition by Tingying Dong.
That night Scrooge is visited at home by Marley's ghost, who wanders the Earth entwined by heavy chains and money boxes forged during a lifetime of greed and selfishness. Marley tells Scrooge that he has one chance to avoid the same fate: he will be visited by three spirits and must listen or be cursed to carry much heavier chains of his own.
Marley’s ghost is pretty creepy, and the three ghosts are on the whole nicely done, though the scenes involving Christmas Yet To Come don’t feel spooky enough at all. Richard E. Grant is fine as the hard-done-by clerk Bob Cratchit, but his children are especially irritating, with Tiny Tim vying for the coveted ‘most irritating and poorly ...