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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The main Vietnamese term used for Chinese characters is chữ Hán (𡨸漢).It is made of chữ meaning 'character' and Hán 'Han (referring to the Han dynasty)'.Other synonyms of chữ Hán includes chữ Nho (𡨸儒 [t͡ɕɨ˦ˀ˥ ɲɔ˧˧], literally 'Confucian characters') and Hán tự [a] (漢字 [haːn˧˦ tɨ˧˨ʔ] ⓘ) which was borrowed directly from Chinese.
Mai Thúc Loan (or Mai Huyền Thành (梅 玄 成), self-proclaimed Mai Hắc Đế (梅 黑 帝, The Black Emperor or The Swarthy Emperor), was the Vietnamese leader of the uprising in 722 AD against the rule of the Chinese Tang dynasty in the provinces of Hoan Châu and Ái Châu (now Thanh Hóa and Nghệ An).
Today, Trần Quốc Toản is still considered as one of the finest examples of Vietnamese patriotism, especially for the young generation. [8] Stories about his spirit and action are taught in schoolbooks of several grades while many streets, schools and gymnasiums in Vietnam are named in honour of this young hero.
The Chinh phụ ngâm ("Lament of the soldier's wife", 征婦吟) is a poem in classical Chinese written by the Vietnamese author Đặng Trần Côn (1710–1745). [1] It is also called the Chinh phụ ngâm khúc (征婦吟曲), with the additional -khúc ("tune", 曲) emphasizing that it can be performed as a musical piece not just read as a plain "lament" (ngâm, 吟).
A song loan, (Vietnamese pronunciation: [sawŋm˧ lwaːŋ˧]) or song lang or song lan) is a percussion instrument used in Vietnamese traditional music. [ 1 ] [ 2 ] Construction
Phan Phu Tiên (chữ Hán: 潘孚先, 1370–1482), was a Vietnamese scholar-official and historian. He was charged by Lê Nhân Tông with writing the annals of the preceding Tran dynasty . [ 1 ]
Traditionally, ziwei doushu is considered to have been created by a Taoist named Lu Chun Yang (呂純陽) during the Tang dynasty.It was further developed by Chen Xi Yi (陳希夷) during the Song dynasty and later on by Luo Hong Xian (羅洪先) during the Ming dynasty to its present-day form. [2]