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Nas is regarded as one of the greatest rappers of all time. [23]Hip hop dominated popular music in the early 2000s. [24] [25] Artists such as Eminem, Outkast, Black Eyed Peas, T.I., 50 Cent, Kanye West, Nelly, Common, Nas, Jay-Z, Busta Rhymes, Puff Daddy, Snoop Dogg, Missy Elliott, M.I.A., Lil' Kim, Gorillaz, Jeezy, Lil Wayne, Timbaland, The Game, Cam'ron and Ludacris were among the dominant ...
This interference created an alternate timeline in which William Scranton was the US president in 1974, having defeated Robert F. Kennedy due to a telephone tapping scandal. In the 1992 anthology Alternate Kennedys , edited by Mike Resnick , 25 science fiction authors imagine alternate histories involving the Kennedys, including speculating ...
The rise of digital media with high-speed internet access fundamentally changed the relationships between artists, record companies, promoters, retail music stores, the technology industry, and consumers. The rise of digital music consumption options contributed to several fundamental changes in consumption.
The Disintegration Loops is a series of four albums by the American avant-garde composer William Basinski, released in 2002 and 2003. [2] The albums comprise tape loop recordings played for extended time, with noise and cracks increasing as the tape deteriorated.
The music festival Warped Tour became popular with members of the scene subculture during the 2000s. Artists associated with the subculture would often play at the festival. [5] Bands influenced by crunkcore, electropop and electronic dance music gained popularity among scene kids during the mid to late 2000s, including Cobra Starship and 3OH!3.
A modern art piece created by Dada artist Marcel Duchamp. His sister, who mistook it for trash, threw it out. Pierre Brassau "That's not art; a chimp could have painted that!" Cabazon Dinosaurs: Comprises of "Dinny the Dinosaur," a larger-than-life, 150 ton sculpture of a brontosaurus in the desert of Southern California west of Palm Springs.
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Facing the Music: A Pantheon Guide to Popular Culture. Pantheon Books. ISBN 0-394-55849-9. Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978–1984. Penguin Publishing Group. ISBN 978-1-101-20105-3