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From the beginning, Christian churches, in contrast to the ancient temples, were intended to be places for the assembling of the faithful. The temperament of the people of the East and of the South where Christian houses of worship first appeared required the admission of much light by large openings in the walls, that is, by windows.
This template creates a frame like those surrounding images. This template can be used to put two or more images into a frame together, or as a wrapper for more complicated templates like Template:Superimpose. Template parameters [Edit template data] Parameter Description Type Status Content content Content of the main section (generally images). Content required Width width The width of the ...
The interlace is the best-known motif of Insular art. This decoration, however, is not limited to Celtic art of Insular illumination. It is also seen in some Egyptian papyrus, Byzantine and Italian works and some Anglo-Saxon works of art, like those found in the tomb at Sutton Hoo.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
Reredos depicting the Immaculate Conception.Portuguese, 17th century. Santarém, Portugal. A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
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A distinction emerged between the retablo for ritual and religious purposes and the retablo as decoration." [ 9 ] Many others in the area, including Nicario Jimenez Quispe , continued along the same path as Antay, creating a popular art that was displayed during the annual branding ceremonies of cattle, sheep, and llamas.