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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Hum Dekhenge (Urdu: ہم دیکھیں گے - In english We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. [1] Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), [2] it was included in the seventh poetry book of Faiz -- Mere Dil Mere Musafir.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
The following is a List of Urdu-language poets 13th century. Poet Image Pen Name Era Work Amir Khusro (1253–1325) Tuhfat-us-Sigh Bande Nawaz (1321–1442) ...
Shehzad Ahmed [1] (Urdu: شہزاد احمد 16 April 1932 – 2 August 2012; sometimes spelled Shahzad Ahmad), was a Pakistani Urdu poet, writer and director of Majlis-e-Taraqqi-e-Adab, an old-book library of Pakistan.
Anwar Masood (Urdu: انورمسعود, Punjabi: انورمسعود Punjabi: ਅਨਵਰ ਮਸਊਦ; born 8 November 1935) is a Pakistani poet and educationist known for his comic poetry. [1] However, his works include other genres as well. He writes in Punjabi, Urdu, and Persian languages. [2] [3]
According to a major Pakistani English-language newspaper, Altaf Hussain Hali and Maulana Shibli Nomani played key roles in rescuing Urdu language poetry in the 19th century, "Hali and Shibli rescued Urdu poetry. They re-conceived Urdu poetry and took it towards a transformation that was the need of the hour."