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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn .
The billiard room included not only the billiard table but also several gaming tables. The Elector's bedroom had yellow silk damask wallpaper and a canopy bed made of similar fabric. There were tables with inlays, chests of drawers, a gaming table, and precious mirrors. Additionally, there was a writing cabinet and a bedroom.
In these designs, Morris created the decorative elements, while his friend Edward Burne-Jones drew the figures, and a team of embroiderers manufactured the work by hand. Other wall hangings were designed to be sold off the shelf of the new Morris and Company shop on Oxford Street which owned in 1877. Later, he and his daughter May made designs ...
The room interconnects with a suite of bedrooms and dressing rooms for visitors. [1] The name of the room derives from the amber-coloured satin damask that hung in the room in the 19th century. [3] The room is 32 ft (9.8 m) in height, and is roughly square. [4]
Unique Venetian furniture, such as the divani da portego, or long Rococo couches and pozzetti, objects meant to be placed against the wall. Venetian bedrooms were usually sumptuous and grand, with rich damask, velvet and silk drapery and curtains, a beautifully carved Rococo beds with statues of putti, flowers and angels. [3]
Wallpaper and wallcoverings became accessible for increasing numbers of householders with their wide range of designs and varying costs. This was due to the introduction of mass production techniques and, in England, the repeal in 1836 of the Wallpaper tax introduced in 1712.