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Nirmala [a] is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death.
Godaan (Hindi: गोदान, Urdu: گودان, romanized: gōdān, lit. 'cow donation') is a Hindi novel by Munshi Premchand. It was first published in 1936 and is considered one of the greatest Hindi novels of modern Indian literature. Themed around the socio-economic deprivation as well as the exploitation of the village poor, the novel ...
Having a character have a dream is a common device to embed one narrative or scene within another. (Painting by William Blake, 1805) A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). [1]
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
This book was made into two films, 3 Idiots in Hindi and Nanban in Tamil. The names of the characters and their attributes were changed. Also, both the films were not full adaptations of the books, as many of the scenes from the book, including the climax, were changed in the films.
Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright.He authored several dramas, life sketches, and travel accounts, using new media such as reports, publications, letters to editors of publications, translations, and literary works to shape public opinion.
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.
This invites the audience to reflect on each moment and its meaning behind it. Within tragedies the female epilogues were the most popular, and it would often challenge the integrity of the play. For example, Tyrannick Love took the main female character, who had often undergone tragedy, and reconceptualised her to be a comedian in the epilogue.