Ads
related to: masterpiece landscape drawings
Search results
Results From The WOW.Com Content Network
The drawing is related to the etching B111 : Entrance of a Cottage: c. 1633?? Kunsthalle Hamburg: The drawing is related to the etching B090 : Self-portrait: c. 1633?? Musée des beaux-arts de Marseille: The drawing is related to the etching B017 : Landscape with Two Cottages: c. 1633: Silverpoint on prepared parchment: 8.2 x 13.3 cm: Museum ...
According to the legend, Van Gogh sold only one painting, The Red Vineyard, bought for 400 francs by the painter and art collector Anna Boch. [1] Today, he is widely regarded as one of history's greatest painters and an important contributor to the foundations of modern art. Van Gogh did not begin painting until his late twenties, and most of ...
The next period, beginning in 1834, saw Hokusai working under the name "Gakyō Rōjin Manji" (画狂老人卍; "The Old Man Mad About Art"). [25] It was at this time that he produced One Hundred Views of Mount Fuji, another significant series, [26] generally considered "the masterpiece among his landscape picture books". [10]
Toledo Museum of Art: 57: Half-figure of a Man Wearing a Gorget and Plumed Hat: 1631: Oil on panel: 83.5 x 75.6: Art Institute of Chicago: 58: The painting was originally 7 cm taller Portrait of Nicolaes Ruts: 1631: Oil on panel: 116 x 87: Frick Collection, New York: 59: Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh: 1631: Oil ...
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
Bisanz-Prakken, Marian: Drawings from the Albertina: Landscape in the Age of Rembrandt. (Alexandria, VA: Art Services International, 1995) Bisanz-Prakken, Marian: Rembrandt and his Time: Masterworks from the Albertina, Vienna [Cat. exh. Milwaukee Art Museum, 8 October 2005 – 8 January 2006]. (New York: Hudson Hills Press, 2005)
The Great Wave off Kanagawa is a landscape-format yoko-e print that was produced in an ōban size of 25 cm × 37 cm (9.8 in × 14.6 in). [18] [19] The landscape is composed of three elements: a stormy sea, three boats, and a mountain. The artist's signature is visible in the upper left-hand corner.
Frederic Edwin Church: Romantic Landscapes and Seascapes. Stephen Robert Frankel (editor). New York: Adelson Galleries; New York: Michael Altman Fine Art & Advisory Services; and Texas: Meredith Long & Company. pp. 11– 13. ISBN 978-0-9741621-7-1. Harvey, Eleanor Jones (2002). The Voyage of the Icebergs: Frederic Church's Arctic Masterpiece ...