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Robert Delaunay (French: [ʁɔbɛʁ dəlonɛ]; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; [1] who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes.
The artist had been inspired by analytic cubism in his geometric forms, but this orphic composition is defined by the usage or diaphanous and prismatic colours. [3] Delaunay explained in 1913: “Line is limitation. Color gives depth—not perspectival, not successive, but simultaneous depth—as well as form and movement.” [4]
Robert Delaunay, Simultaneous Windows on the City, 1912, Kunsthalle Hamburg. Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul.
The Eiffel Tower series of Robert Delaunay (1885–1941) is a cycle of paintings and drawings of the Eiffel Tower. The Eiffel Tower was built by Gustave Eiffel. The series was painted in an emerging Orphist style, an art movement co-founded by Robert and Sonia Delaunay and František Kupka that added bright colors and increased abstraction to ...
Windows is a series of paintings created between 1912 and 1913 by the French painter Robert Delaunay. The paintings are oil and wax on canvas, and they mark Delaunay's turn towards abstraction and interest in color. The fragmented compositions of colored shapes are prime examples of Delaunay's use of simultaneous contrast.
Champs de Mars: The Red Tower (French: Champs de Mars: La Tour Rouge) is an oil on canvas painting by the French painter Robert Delaunay, from 1911. It shows an orphic representation of the Eiffel Tower, in Paris. The painting is held in the Art Institute of Chicago. [1]
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and ...
Robert Delaunay was a French artist who is associated with Orphism, (reminiscent of a link between pure abstraction and cubism). [6] His later works were more abstract, reminiscent of Paul Klee. His key contributions to abstract painting refer to his bold use of color, and a clear love of experimentation of both depth and tone.